If you are not a full time photographer, chances are that there are times when you just feel that you don't have the time to really go out and hunt for and make photographs. But think again. Photographs are everywhere for you to pick up at will. All you need to do is change your paradigm about a photograph and the way you think about it.
All things can be photographed. Good or bad is the next question. But good or bad are also categorical. There are general criteria for good photographs (although many would not care to think about the bad ones). And even then, these filters don't apply across the board. What's good in one may not be that good in another. Three things, I think, play a very significant role: genre, taste, and cultural setting.
I'll safe the lengthy discussion of those somewhat more complicated arguments for later time. For now, let's get back to the basic premise: anything can be photographed. And that anything is anywhere as long as there is light, for photography is impossible without light. And as I said earlier, all you need to do is change your attitude. Once that happens, you can start exploring - using whatever you have and know about photograph-making.
Snapshooting may be the first step. Let it go. Release your creative energy. Kick out all inhibitions about going happy and shooting at will. Photography is cheap now that the digital technology has made it possible to take and discard photographs without much financial consequences. Once you get heated up and the creative energy is overflowing, start paying attention to details, elements, light, and what's possible under the circumstances. That - in my experience - is when satisfying photographs (I'm not talking about good here) begin to come your way.
All those "procedures" can take place anywhere and anytime. The "Peanut World" above was made at the peak of boredome at the workplace. It was a short round of snapshooting before I began to focus and "saw" and "picked" satisfying photographs.
©Eki Akhwan 2009
PS. I did nothing to edit the photograph, except turning it into black and white and resizing it. The 16:9 ratio format is camera-original.
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